Sprachwahl: englisch

Press - Excerpts

C. Debussy, Chansons de Bilitis

„Impressionistic sound images of exquisite beauty painted mezzo-soprano, ... accompanied by Klemens Althapp who played the piano sensitively “

Offenbach-Post, 31.03.2014

R. Schumann, Frauenliebe und-Leben op 42

„Althapp was not only a companion, but the perfect duo partner, the exchange between passionately moving tempos and vocal expressions gestures designed supportive with nuanced touch culture and a perfect pedal technique.“

Nordbayrische Nachrichten, 14.09.2013

R. Schumann, Dichterliebe

„ Klemens Althapp had an outstanding debut with baritone Christos Pelekanos .... songs were brought by Pelekanos and Althapp directly to enchanted listeners: with poignant expression“

Offenbach-Post, 19.03.2013

C. Orff, Carmina Burana

“Klemens Althapp has been the perfect substitution for a complete orchestra”

Frankfurter Neue Presse, 1.7. 2009

G. Mahler, Des Knaben Wunderhorn

“The outstanding pianist supplied a visionary masterpiece.”

Offenbach Post, 09..03. 2009

R. Schumann, Dichterliebe op 48

“Diverse and multi-colored. He created the epilogue of the song as the main message”

Frankfurter Allgemeine Zeitung, 24.04. 2008

R. Schumann, Liederkreis op 39

“A fantastic harmonic duo merged to an unit.”

Offenbach Post, 12.3. 2008

D .Schostakowitsch, Präludien op 34

“With a cryptic humor and an extraordinary precision”

Darmstädter Echo, 02.07. 2007

D .Schostakowitsch

“Empathetic and internalized music”

Nürnberger Nachrichten, 17.04. 2007

F. Chopin, Scherzi

“Just after a few minutes there has not been enough place between the seat rows because the piano solo by Klemens Althapp awoke so much enthusiasm”

Offenbach Post, 26.06. 2006

R. Schumann

“Klemens Althapp played the R. Schumann Fantasy pieces op. 12 brilliantly”

Hessisch-Niedersächsische Allgemeine, 16.5.2006

Beethoven and Paintings

„The evening gave proof of the refreshing differentness of comprehensive art projects, of linking different art forms”

Offenbach Post, 14.10.2005


„The pianist set an example in ideally working out the grotesque and pointed elements of the Préludes”

Offenbach Post, 7.3. 2005


„The Mozart Trio KV 502 possessed appolinic magic”

Offenbach Post, 25.3.2003

J.S. Bach

„Tracery… Klemens Althapp played optimally, almost gouldesk”

Frankfurter Rundschau, 26.2.2001

Duo-evening with flute

“There was great enthusiasm following the final Poulenc Sonata. Two encores: marvelous.”

Offenbach Post, 28.4.2000

Schostakowitsch und Lichtenberg

„With his interpretations Klemens Althapp made the evening into a musical event, as well. Althapp succeeded in perfectly complementing Lichtenberg’s literary aphorisms.“

Kronberger Bote, 15.6.2000

„Very gentle, with a remarkable stroke“

Frankfurter Neue Presse, 10.6.2000

Mozart Piano Concerto

„Klemens Althapp captivated anew as soloist through his sensitive playing”

Aschaffenburger Main-Echo, 15.4.1996

„Althapp mastered his task with upright elegance”

Mainzer Rhein-Zeitung, 1.4.1996

Franz Schubert „Die schöne Müllerin“

„That was thought-through from the first to the last note. Klemens Althapp accompanied with a sensitive stroke which granted great expressiveness, expecially to the pianissimo-passages.”

Frankfurter Allgemeine Zeitung, 29.6.1995